-- the only lead singer in the group's long list of personnel who never played a single live date with the band, though he was with them long enough to cut most of an album (
) and get one performance ("Cadence and Cascade") onto its predecessor. Otherwise, he's been an enigma even to many
fans.
Haskell's history with
Robert Fripp goes back to the days they spent together in the mid-'60s as members of
the League of Gentlemen, a band that backed various American R&B stars on tour and cut a couple of singles.
Haskell was also a member of a Liverpool band called
the Quotations, formed by ex-
Big Three bassist
Johnny Gustafson (before he joined
the Merseybeats), who recorded for English Decca ("Alright Baby" b/w "Love You All Over Again") in 1964. His main group affiliation for most of the mid-'60s was
the Fleur de Lys, a somewhat lightweight psychedelic band who recorded at least once under the pseudonym of
Shyster.
Haskell passed through the lineups of
Rupert's People and
Cupid's Inspiration, and, as a member of
the Fleur de Lys, also played on records by
Bill Kimber,
John Bromley,
Sharon Tandy, and
Terry Durham. By the end of the '60s, he was a solo act, trying to establish himself as a singer/songwriter, and released a pair of singles in 1969 and 1970, "Boat Trip" and "Oh-La-Di-Doo-Da-Day," and one LP,
Sail in My Boat, all for British CBS.
In 1970, as his former
League of Gentlemen bandmate
Robert Fripp was struggling to keep his current group,
King Crimson, viable in some form and complete a second album,
Haskell joined the band as successor to bassist-singer
Greg Lake, who was leaving the lineup to join
Emerson, Lake & Palmer. After singing on one song for that album,
In the Wake of Poseidon, he joined a new
Crimson lineup and recorded most of the next album,
Lizard. As was often the case with
Crimson lineups in those days, however,
Haskell didn't last -- he and other members of the core band had left by the time
Lizard was completed and released late in 1970, and he never worked live with the band.
Haskell cut a solo album,
It Is and It Isn't, during 1973, and worked with such artists as
Tim Hardin,
Alvin Lee, and
Van Morrison. His solo work tends to be in a folk-like, singer/songwriter vein, reminiscent of
Gordon Lightfoot with something of a progressive rock edge and more humor, some of it very sardonic. Based in southern England at the end of the '90s, he concertizes regularly in the Hampshire and Dorset areas, and he has continued his recording career into the '90s with his albums
Butterfly in China and
Hambledon Hill. In 1993, he also teamed up with
Mike Wedgewood (ex-
Curved Air and
Caravan) to tour Scandinavia. In the late '90s, Voiceprint Records' Blueprint label reissued
Haskell's solo albums of the '60s and '70s on compact disc. The massively popular "How Beautiful You Are" hit British airwaves in the winter of 2001, announcing
Haskell's comeback to music.
Harry's Bar followed the next year, fully bringing him back into the public spotlight after years of inactivity.
–
Bruce Eder, Rovi